A Literary Guide to KwaZulu-Natal

A Literary Guide to KwaZulu-Natal by Niall McNulty, Lindy Stiebel
ISBN: 9781869143572

For several years I was involved in a research project at the University of KwaZulu-Natal, researching authors, their books and places connected to them. We produced a number of author profiles and literary trails over the years (in collaboration with a number of co-researchers), which we published online. Working with UKZN Press, we have taken that research and compiled a literary guide, which was recently published (GoodReads). 

Book details
KwaZulu-Natal is culturally rich, offering a wide range of writers – writing mainly in English and Zulu – who are linked through their lives and their writing to this province of South Africa. The writers include, to name just a few, Alan Paton, Roy Campbell, Lewis Nkosi, Ronnie Govender, Wilbur Smith, Daphne Rooke, Credo Mutwa and Gcina Mhlophe. And how better to understand a writer than to know about the places they are linked to? For example, who, after reading the lyrical opening sentences of Paton’s famous book Cry, the Beloved Country (1948) has not wanted to see this scene in reality?

There is a lovely road that runs from Ixopo into the hills. These hills are grass-covered and rolling, and they are lovely beyond any singing of it.

A Literary Guide to KwaZulu-Natal introduces you to the regions and writers through word and image, leading you imaginatively through this beautiful province.

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Digital education in South Africa

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Despite much talk from government about the needs to ready learners for the the 21st Century workplace, when it comes to state-funded schools, the South African reality is one characterised by a lack of access to technical support, unreliable internet connectivity, security concerns and limited funding for teacher training which has been slowing down the broader uptake of digital education. Despite these infrastructural issues, there is a growing interest in digital education in South Africa, often spearheaded by politicians eager to make electoral gains. On the ground, these issues are being tackled by a combination of government initiatives supported by tech companies – such as Samsung, Intel and Microsoft –  and NGO-led interventions. This often results in a haphazard implementation of digital education and a proliferation of pilot projects. 

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How learning analytics is nurturing educational insight and support

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Gather insight into how to make educational content more engaging

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The changing role of the publisher in the age of plenty

By way of some background, I am currently the digital publishing manager at the African branch of Cambridge University Press (CUP), the publishing business of the University of Cambridge. Prior to joining CUP, I worked as a consultant conceptualising and implementing innovative digital solutions for academic and local government initiatives in South Africa. During this period I launched The Ulwazi Programme with colleagues from the eThekwini Municipality. This collaborative digital library project collated user-generated, local-language, indigenous knowledge content and published it openly under a Creative Commons license. Based on this experience, as well as my desire to explore how a traditional publishing business could engage with with the open movement and the plethora of freely-available content online, I applied to attend the Institute of Open Leadership (IOL) workshops. The week-long sessions were intense; a bootcamp in open licensing and open education. More importantly, the workshop brought together some of the top minds currently working on open ideas. In formal and informal discussions, these mentors shared their thinking with me on open business models, providing examples of successful and sustainable open initiatives.

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How augmented reality is revolutionizing EdTech

The global buzz unleashed by the release of the Pokémon Go game for smartphones in 2016 exemplifies how augmented reality technology is growing. Educational institutions and app developers are already finding ways to incorporate the exciting, perception-bending capabilities of augmented reality design into lesson and textbook design.

Read more about how augmented reality is revolutionizing EdTech:

First: What is augmented reality?

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Pioneering home-language learning of mathematics in a digital environment in South Africa

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Mathematics Dictionary App

Developing this app, the authors wanted to ensure that all the mathematics terminology needed in the South African Intermediate and Senior Phase classroom was covered to really support learners in their studies. More than this, they wanted the content to be interesting, creatively presented and, most of all, learner-friendly. By helping learners to acquire and understand the terminology used in the mathematics classroom, they are able to engage with the concepts in a meaningful and constructive way, rather than being hindered by possible gaps in comprehension.

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Cheaper mobile devices coupled with the boom in educational app development means that many learners in developing countries can now access quality educational media outside of the classroom. An increase in mobile access (especially in Nigerian and South African markets) has enabled educational technology businesses and non-profits to broaden education, taking learning to students’ daily commutes and homes.

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CUP South Africa partners with NGO Worldreader

Interviewed for an article in The Bookseller magazine about a mobile learning project I initiated with Cambridge University Press and the NGO Worldreader.

Article below and source here http://www.thebookseller.com/news/cup-south-africa-partners-ngo-worldreader

CUP South Africa (CUP SA) has partnered with NGO Worldreader to make content for schoolchildren freely available across sub-Saharan Africa. Worldreader has developed an e-reading app, hosted on cloud-based mobile application platform BiNu, which enables “feature phones”;those without Android or iOS operating systems, typically Nokias, which are widely used across the continent;to be used as e-reading devices.

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The Heart of the City

(Chapter written for Undressing Durban book)

Inyanga, Warwick Triangle. Photograph by Roger Jardine.

I’m hopping about on one leg, in the middle of a busy walkway, obstructing morning commuters.  Directly across from me is the herb-sellers market, above me cars funnel into the city while below colourful aprons are strewn across stairs, the ladies selling them sitting on upturned crates.  “Is this the right size?” I ask Crops as I squeeze my foot into a cross-strapped rubber sandal.  “Sure, sure, stretch to fit,” he answers.  Crops makes and sells imbadadada (a home-made shoe or literally ‘someone who walks with an awkward gait’) from a small outlet on the edge of Warwick Triangle.  Pairs are lined up outside his shop, in rows based on style and size. The imbadadada is a thick, hard-wearing sandal, with two straps along the front and one along the back, originally made by Zulu tribesmen.  Johnny Clegg made these shoes popular with a wider audience in the eighties, dancing in a pair on stages across the world.

“I make these myself from the car tires,” Crops tells me.  “It’s an old design.  They first started making them in the 1950s.  The people buy it for the traditional dance or just to wear.  It is comfortable and they last a long time.   I am also making these new styles now, ones with the buckle and ones with Nike.”

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